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Black Madonna

by The Austerity Program

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Song 12 05:27
Song 17B 07:59
untitled 01:00
Song 19 07:05
Song 18 01:15
untitled 01:00
Song 17A 06:31
Song 16 14:16


In discussing the great musical duos of the past half-century — Jerry Leiber & Mike Stoller, Ike & Tina Turner, Rob Base & DJ E-Z Rock — you hardly ever hear anyone mention the Austerity Program. That is, until now. Not only are the Program’s Thad Calabrese (bass) and Justin Foley (guitar/vocals) personally responsible for freeing ODB from counterfactual incarceration; they also recorded a pretty awesome EP for Hydra Head back in 2003 entitled Terra Nova. No one bought it. But that’s their loss (the people who didn’t buy it, that is). And yet Calabrese and Foley have soldiered on, undaunted in the face of commercial adversity, to bring us their unstoppable debut full-length, Black Madonna.

Here are a few things you should know about it, other than the fact that it rules:

1) The title Black Madonna is not necessarily a reference to an imaginary African-American version of the famous pop star/exhibitionist, nor is it necessarily a reference to the Virgin Mary’s decidedly impure twin sister, Betty. It’s also not a code name. Then again, it just might be. (We actually have no idea.)

2) Like those on Terra Nova, the songs on Black Madonna are untitled. The Austerity Program would prefer it if you filed this detail under “your problem” as opposed to “their problem.” The Austerity Program actually have very few problems that they’re willing to discuss with you.

3) These guys are DIY like a motherfucker: They play all of the songs on the record. They wrote the record. They recorded the record. They bought the shit to do the recording. They bought and read the books to tell them how to use that stuff. THEY BUILT THE STUDIO IT WAS RECORDED IN — concrete to drywall, all the way up through shades of paint and lighting design. It’s like, “Enough already, dudes — aren’t you supposed to be playing shows or something?”

4) Terms like “industrial-strength power dirge” and “mechanized punk fugue” don’t really suffice where Black Madonna is concerned. So please come up with some other shit when you write about it. We’d give you a really enticing description here, but you’d probably just steal it—and then you’d probably add something about Godflesh.

5) Once you go Black, you’ll never go back.


released August 21, 2007

Thad Calabrese - Bass
Drum Machine - Percussion
Justin Foley - Guitar, Vocals

Recorded by the Austerity Program at Kerguelen Studio, Astoria, NY on and off from August 2006 to January 2007.

Mastered by John Golden at Golden Mastering
Preproduction assistance by John Hastie
Additional Engineering by Jon Wright
Photos and Art Direction by the Austerity Program
Photo Production Support by Nathan Baker at BlackPoint Editions
Design by A. Turner
Construction by James O'Mara

Thank you: Matt Shobe, Aaron Turner, Mark Thompson, Abby Moskowitz, Jill Gallant-Foley, Hydra Head, John Hastie, Jon Wright, Ben, Max, Noah, John Miller, James O'Mara, the friends and family who have supported us and strangers who've provided us with advice, time or appreciation.

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